决战棋牌

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                        1. 新媒体下90后“宅”现象生成原因与引导

                          摘 要: 随着中国网络计算机技术的发展以及新媒体的高速发展,现在越来越多的90后,不愿出门,成为宅男宅女,这一现象也备受社会大众的争议,而90后们缺乐在其中,让宅成为了他们在高压快节奏生活里的解压利器。本文旨在从90后在新媒体时代的需求出发,解析宅这一现象产生的原
                          阅读技巧Ctrl+D 收藏本篇文章

                            摘 要: 随着中国网络计算机决战棋牌技术的发展以及新媒体的高速发展,现在越来越多的90后,不愿出门,成为宅男宅女,这一现象也备受社会大众的争议,而90后们缺乐在其中,让“宅”成为了他们在高压快节奏生活里的解压利器。本文旨在从90后在新媒体时代的需求出发,解析“宅”这一现象产生的原因以及对“宅”这一现象的审视与引导。

                            关键词: 宅; 90后; 新媒体;

                            “宅”起源于日本,这一概念在迁移到国内,进行了一定程度上的本土化演变之后,概念渐渐被模糊和泛化,若以亚文化视角来重新审视“宅”这一现象时,我们可以更加清楚的认清文化的本质,而不是简单将其归为某一种带有感情色彩的社会现象。

                            一、关于“宅”的概述

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                            二、“宅”现象生成原因解析

                          决战棋牌   “WENHUASHIRENLEIZAISHIYINGHUANJINGDEGUOCHENGZHONGCHANSHENGDE……ZAIZHEIGEGUOCHENGZHONG,HUANJINGYUWENHUAZHIJIANJIAOHUZUOYONG、JIAOHUYINGXIANG,TAMENZHIJIANCUNZAIYIZHONGGONGSHENGGUANXI。ZHEIZHONGGONGSHENGGUANXIBUJINYINGXIANGRENLEIYIBANDESHENGCUNHEFAZHAN,ERQIEYEYINGXIANGWENHUADECHANSHENGHEXINGCHENG,BINGFAZHANWEIBUTONGDEWENHUALEIXINGHEWENHUAMOSHI。”ZHEISHIMEIGUOWENHUARENLEIXUEJIA J.H.SITUERDEDUIHUANJINGYUWENHUAZHIJIANDEGUANXIZUOCHUDELUNSHU。XINMEITIDEFAZHAN,TEBIESHIWANGLUOMEITIHESHOUJIYIDONGWANGLUODEFAZHAN,TUIDONGLE“ZHAIWENHUA”DENGYIXIELIEYAWENHUADECHANSHENGYUFAZHAN,YIXIAJIANGYIXINMEITIFAZHANSUOCHANSHENGDESHEHUISHENGHUOHUANJINGDEBIANHUAWEIBEIJING,CONG90HOUDEXUQIUCENGMIANJIEXIZHAIWENHUASHENGCHENGDEYUANYIN。

                            (一)90后的“个性化”需求

                          决战棋牌   XINMEITIPINGTAIWEI90HOUDE“GEXINGHUA”BIAODATIGONGLELIANGHAODEPINGTAIYUTUJING。QIZHONGDESHEHUIHUAMEITIDEYINGYONG,JIYULEYONGHU“XUNIXING”ZHEIYIQIANTI,YEJIRENMENTIGONGLEGENGDUODEBIAOYANWUTAIHEBIAOYANSHOUDUAN。MEIGUOWANGLUOYANJIUZHUANJIAAISE·DAISENRENWEI:“JIAMINGGENGKENENGSHIZHEIYANGYIZHONGMIANJU:RENMENSHIYONGTALAIBIAOXIANZIJIDEZHENSHIMIANMUERBUSHIYINZANGZIJIDEBENXING;HUOZHESHUOTAYUNXUYIGERENZHENZHENGBIAOXIANQIXINGGEDEMOUYIFANGMIAN。”ZHEIZHONGXUNIKEYISHIDEYONGHUDUIZIJIDEJIAOSEJINXINGDUOZHONGSHEDINGHEZIYOUFENJIE,CONGERZHESHECHUYONGHUXIANSHIDEXINLIZHUANGTAIHESUQIU。OUWEN·GEFUMANZAI《RICHANGSHENGHUOZHONGDEZIWOCHENGXIAN》YISHUZHONGCENGZHEIYANGSHUODAO:“ZUOWEIYIZHONGSHEHUIJIAOSE,ZAIGUANZHONGMIANQIANBIAOYAN,WOMENBIXUYAOBAOCHIXIANGDUIWENDINGXING。”DUIYU90HOUZAIXUNIDEXINMEITIWANGLUOKONGJIANZHONG,TAMENKEYIGENGDUODEJINXING“GEXINGHUA”DEBIAODAHEBIAOYAN,YIDAPOXIANSHISHENGHUOZHONGZHEIZHONGWENDINGDEZHUANGTAI。DANZAIMOUXIEDUITAMENYOUZHONGYAOYIYIDESHEQUNLI,TAMENDUIZIWODEJIAOSEBIAOYANKENENGHAISHIHUIBAOCHIZHEXIANGDUIWENDINGXING,JIANDANDIANSHUO,XUYAOWEIZIJIJIANLIYIGE“RENSHE”,YIDADAOMOUYIZHONGMUDE。

                            对于90后来说,有些人在现实的社会工作关系里,总是一丝不苟,严肃对待任何事情,给人一种不好接触的高冷形象,但在他的社会化媒体平台上,他有可能会通过调侃、自黑、吐槽等方式,展现与现实生活不一样的幽默感,利用虚拟来表现自己真实的面目。另外一方面,90后中也有一部分人希望自己站在鄙视链的顶端,以满足自己的优越感,为了让自己的“人设”立住,可以说是会煞费苦心的经营自己在社会化媒体平台的秀,早些时候爆红的“精致的猪猪女孩”一词语,十分准确的解析了这一现象。例如,有些人表面上光鲜亮丽,背地里其实没洗的衣服堆积成山。他们乐此不疲的在社会化媒体中将自己塑造成光鲜亮丽的人物,以满足自己在现实生活中的一部分缺失。利用社会化媒体来补充自己的“个性化”,成为了90后生活中非常重要的一部分,他们也因此乐在其中,这也成为了他们变的越来越“宅”的一个重要原因。

                          新媒体下90后“宅”现象生成原因与引导

                            (二)90后的“社会化”需求

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                          决战棋牌   ZUOWEIDAXUESHENG,ZUOWEIGANGBUZHICHANGDE90HOUZAIXIANSHIDESHEHUIGUANXIZHONG,MEITIANBANYANZHEGEZHONGBUTONGDEJIAOSE,MIANDUIZHEGEZHONGGEYANGDEYALIYUJIAOLV,ERNEIXIEZAICHUGAOZHONGJIEDUANYINWEIXUEYEERBEIGEZHIDEXINGQUAIHAO,CHENGLETAMENZAIYALIHEJIAOLVBEIHOUDEYIGECHUKOU。ZHIYOUDANGTAMEN“ZHAI”ZAIZIJIDESHIJIELI,QUZUOZIJIXIHUANDESHIQING,QUHEZIJIZHITONGDAOHEDERENJIAOLIU,TAMENCAINENGGANSHOUDAOZIJINEIXIN,HUODEZHENZHENGDEXIYUE。YINCIZAIBIYAODESHEHUIHUODONGZHIWAI,TAMENBIANDEYUELAIYUE“ZHAI”,“ZHAI”ZAIXIANSHISHEHUIYIWAIDESHIJIELISUOJIANLIDESHEHUIGUANXIWANGZHONG。ZHEIZHONG“ZHAI”CONGMOUZHONGYIYISHANG,SHENZHIKEYIJIANGQIJIEDUCHENGYIZHONGTAOBI。TAOBIXIANSHISHENGHUOZHONGDEGEZHONGGUANXIWANGLUO,XIANGSHOUWEIZIJIBAOLIUDENEIYIFENJINGTU,JIZIJICHONGDIAN,RANGZIJIMANXIALAI,YONGZHEIYANGDEFANGSHIQUPAIJIEYALIHEJIAOLV。SUOYIZHEILIDETAOBI,BINGBUSHIBIANYICI,ZHENGSHIQIANWENSUOTIDAODEZAIXINGQUSHETUANZHONGRENJIWANGLUOGUANXIDEJIANLISUOHUODEBAOCHANGZHIYI。

                            三、对“宅”现象的审视和引导

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                            参考文献

                            [2]彭兰.新媒体导论[M].等教育出版社,2016.3.
                            [2][美]欧文·戈夫曼.日常生活中的自我呈现[M].北京大学出版社,2008.
                            [3]陶东风,胡疆锋.亚文化读本[M].北京:北京大学出版社,2011.
                            [4]金晶.我国宅文化的发展及社会对宅文化的认识[J].今传媒,2012.

                            金紫璇,赵卫国.基于新媒体背景下90后“宅”现象的浅析[J].大众文艺,2020(03):270-271. 转载请注明来源。原文地址:http://gxkelong.com/html/zhlw/20200316/8285401.html   

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